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PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
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PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
.jpg)
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
.jpg)
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
.jpg)
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
.jpg)
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
.jpg)
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
.jpg)
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
PROJECT FACTS
TYPE: RESIDNETIAL
LOCATION: Dubai, United Arab Emirates
YEAR: 2024
STATUS: CONCEPT
CREDITS
PRINCIPAL ARCHITECT: Alireza Sherafati - Pantea Eslami
PROJECT MANAGER: Jouya Javanshad
DESIGN TEAM: Navid Jamali - Pary Pourmoghadam - Hanie Daneshvar - Saba Baraty - Soheil Asghari - Anahita Dakhlli
MOTION AND GRAPHIC DESIGNER: Parinaz Torkian
INTERIOR DESIGNER: Niloofar Mohammadzadeh
RENDERING: Shiri Visual
Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.
Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.
Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.
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