ARSH 4D STUDIO

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SHAHINSHAHR WOMEN'S PARK

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Area: 38,000 m²
Built Area: 5,000 m2
Status: Under Construction
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PRINCIPAL ARCHITECT:
Alireza Sherafati - Pantea Eslami
Client:
Shahinshahr Municipality
PORJECT MANAGERS:
Jouya Javanshad - Mostafa Sadeghi
Design Team:
Mostafa Sadeghi - Maryam karimzadegan - Soheil Asghari - Tara Askari

Construction Drawing Team:
Jouya Javanshad - Mostafa Sadeghi - Fatemeh osanloo
Presentation Team:
Parinaz Torkian - Shadi Bitaraf - Tara Askari - Negar Habibi - Amirsaeed Pakseresht
Visualization:
Peyman Nozari - Peno Visualization - Pedram Rayanpour
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Structural Consultant:
Afshin masoudi
Mechanical Consultant:
Ali Ghanizadeh - Iman Lotfollahi
Electrical Consultant:
Farah Norouzi

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

SHAHINSHAHR WOMEN'S PARK

CREDIT

Slide 0

Project info

Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.
Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.
Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.

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