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Narenjestan Cultural-Commercial Complex
Slide 0
Narenjestan Cultural-Commercial Complex 01

PROJECT FACTS

TYPE: Commercial, Cultural

LOCATION: Sari, Iran

PROJECT COMPLETION: 2015

CLIENT: Narenjestan Group

SITE AREA: 4412 sqm

PROJECT AREA: 43215 sqm

STATUES: Schematic Design

 

CREDITS

Project Manager: Elnaz Sabouri

Sari Cultural-Commercial Complex 02

PROJECT FACTS

TYPE: Commercial, Cultural

LOCATION: Sari, Iran

PROJECT COMPLETION: 2015

CLIENT: Narenjestan Group

SITE AREA: 4412 sqm

PROJECT AREA: 43215 sqm

STATUES: Schematic Design

 

CREDITS

Project Manager: Elnaz Sabouri

Sari Cultural-Commercial Complex 03

PROJECT FACTS

TYPE: Commercial, Cultural

LOCATION: Sari, Iran

PROJECT COMPLETION: 2015

CLIENT: Narenjestan Group

SITE AREA: 4412 sqm

PROJECT AREA: 43215 sqm

STATUES: Schematic Design

 

CREDITS

Project Manager: Elnaz Sabouri

Sari Cultural-Commercial Complex 04

PROJECT FACTS

TYPE: Commercial, Cultural

LOCATION: Sari, Iran

PROJECT COMPLETION: 2015

CLIENT: Narenjestan Group

SITE AREA: 4412 sqm

PROJECT AREA: 43215 sqm

STATUES: Schematic Design

 

CREDITS

Project Manager: Elnaz Sabouri

Sari Cultural-Commercial Complex 05

PROJECT FACTS

TYPE: Commercial, Cultural

LOCATION: Sari, Iran

PROJECT COMPLETION: 2015

CLIENT: Narenjestan Group

SITE AREA: 4412 sqm

PROJECT AREA: 43215 sqm

STATUES: Schematic Design

 

CREDITS

Project Manager: Elnaz Sabouri

Sari Cultural-Commercial Complex 06

PROJECT FACTS

TYPE: Commercial, Cultural

LOCATION: Sari, Iran

PROJECT COMPLETION: 2015

CLIENT: Narenjestan Group

SITE AREA: 4412 sqm

PROJECT AREA: 43215 sqm

STATUES: Schematic Design

 

CREDITS

Project Manager: Elnaz Sabouri

Sari Cultural-Commercial Complex 07

PROJECT FACTS

TYPE: Commercial, Cultural

LOCATION: Sari, Iran

PROJECT COMPLETION: 2015

CLIENT: Narenjestan Group

SITE AREA: 4412 sqm

PROJECT AREA: 43215 sqm

STATUES: Schematic Design

 

CREDITS

Project Manager: Elnaz Sabouri

Sari Cultural-Commercial Complex 08

PROJECT FACTS

TYPE: Commercial, Cultural

LOCATION: Sari, Iran

PROJECT COMPLETION: 2015

CLIENT: Narenjestan Group

SITE AREA: 4412 sqm

PROJECT AREA: 43215 sqm

STATUES: Schematic Design

 

CREDITS

Project Manager: Elnaz Sabouri

Slide 0
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Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.
Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.
Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings. It doesn’t have a view to the street and it is not seen by passersby. It is a project with no prominent façade, and therefore insignificant for most architects.Over the last 2 decades architecture in Tehran has experienced absurd transformations. Lack of profitability of industries on one hand and imposed sanctions on the other hand have exacerbated an already soaring real-estate market in the capital.
Having identified their properties as a promising investment zones, land owners with lots as small as 200 sq.m (the city’s smallest size parcels) have demolished their single family houses and developed them into four and five storey middle class apartments. As a result, the city is now faced with agrowing number of infill projects whose aesthetic challenges are generally reduced to envelope design.
In this particular project, the site is located at the end of a dead-end alley and is surrounded by other buildings.

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